Remember back in school and there was always one classmate who had it all. Y’know the type – they’d arrive in at the start of the year having rambled 40 seconds down the road from their nearby palace, as you sat exhausted from your 5 mile hike. They’d regale the scores of friends, all gathered round, with wondrous tales from their epic summer in Disneyland – while you tried to extol the virtues of Tramore to anyone cared enough to listen. They’d take their pristine, polythene covered books from a new branded schoolbag as you wrestled with the wallpaper clad monstrosities in your generic bargain store sack…. You get the idea.
And all in all you never exactly disliked this particular classmate, it’s just that you knew they didn’t appreciate all that they had. Peter’s evokes this same feeling
Peter’s pub sits idyllically along a picturesque vista at the end of South William St. It’s exterior is fairly plain which tallies with its interior which is also without frills giving that it’s another telly-less of the capital’s boozers. On paper it should be up with the top pubs in town. It isn’t.
The interior of the bar is uncomplicated. White walls offset any darkness of wooden fixtures. The seating is upholstered in an unusual shade of blue. In total it’s not harsh on the eyes, although some of the lads did find the white to be a touch austere and the lighting to be too bright.
Now, the craic! To convey the extent of how craicless this place was upon our visit, one should think of an atmosphere so sterile that you could manufacture pharmaceuticals in it. Grim! But not to worry, surely the pint will make up for all these misgivings I hear you wonder. No such luck. Previous readers will know about our grievances when it comes to paying over €5 for a jar of stout, and yes – we’re begrudgingly coming to realise that a 5 quid note just won’t cut it in many central establishments but to pay €5.(fucking)40 for a bitter, almost headless pint of slop is near on unforgivable.
Peter’s is a tough one to take. If it was a kip one could simply write it off and forget about it. But to see so much potential so fully wasted is almost torturous.

Being well-watered with pints and reinvigorated from the jolt of life a few new recruits bring to a session, we approached The Glimmer Man hungry for a bit of craic. We hadn’t had much of an experience in the pub we’d been to prior so we needed this pub to light a brighter spark. Arriving into the bar we were met by a group of disapproving locals who greeted us by flinging open a door that they were sat next to. They then kindly informed us that “de lounge’s in there lads”, to which we took umbrage.

 

We rebutted to their directions with pint-loudened indignation and enquired after them as to why we weren’t worthy of drinking in the bar. Sizing us up their spokesperson decided that a t-shirt one of us had worn on the day was the suitable reason for our disqualification. The t-shirt in question was a WWE t-shirt which read “JUST BRING IT” in bold white font. (We’ve mentioned the genesis of shirt in our Red Parrot & Delahunty’s posts previously). Anyway, suffice it to say that this t-shirt wasn’t being worn by choice.

As we digested the reason for our disbarment, one of us spotted that another of the locals was wearing a t-shirt which read “Last Night a BJ Saved My Life”. As we all debated the merits of which t-shirt was more ridiculous the two owners of the offending garments decided that a trade was in order. With the swap complete hilarity ensued and peace resumed in the valley once more.


Accepted into the fold, we sat nearby the locals and tucked into some well poured pints. The Glimmer Man is a great looking pub. The Bar’s stained glass windows and high ceilings give the place a refreshingly roomy feel. We found the chairs in the bar to be a bit mismatched to the overall look though.

The lounge is another world altogether. One could spend days wandering around the space taking in all the paraphernalia which litters the pub. Dropping in for a look at Charlie Haughey and Maggie Thatcher hanging out in a bed affixed to the ceiling is nearly reason enough for a visit alone. We’ll definitely be back to have a closer look at the lounge.

The Glimmer Man is one of the highlights of the Stoneybatter drinking scene. Well recommended.

With its gothic doors, hanging baskets and polished panel windows all facing the uninspiring scene painted by the carpark across the road – Clarkes City Arms is a pub which sits charmingly enough on Prussia St.

Standing in the vicinity of this boozer I can’t say that my own mind came to conjure up visions of landmark Dublin history but as it happens, the address of the pub is one which is quite the hallowed plot in terms of iconic historical Dubliners.

55 Prussia St is the former address of the City Arms Hotel – a hotel which was frequented by one James Joyce who did the premises the service of mentioning it a number of times in his novel – Ulysses. Along with being catalogued in what is arguably the most famous Irish novel of all time, this address is also historically enriched with regard to Dublin’s drinking culture. The building which was to become the aforementioned hotel began life as an estate owned by the family Jameson, of international whiskey renown.

We were in Clarke’s of a Saturday afternoon and suffice it to say that we’re not threatening to dethrone James Joyce any time soon. Much as we might have tried we were scarce to find too much inspiration upon our visit. The jaded aesthetic consisting of carpet and wood panelling combo was about as stale as the atmosphere at the time. Perhaps we arrived in the downtime but it was fierce quiet for us.

With a mind to not being entirely negative we hasten to add that Clarke’s has great potential. A bit of a shine and a polish to bring out the charm of the bar certainly wouldn’t go amiss. It would certainly be a great service to great pint that pours here, to the capable staff that pours it and to Joyce and the Jamesons and all.

It’s gas the things you pick up when you’re trying to add some substance to these DBP posts. I say this having spent the previous twenty minutes googling what the correct architectural term for that cone shaped window-box type structure on the corner of the pub in the picture is – all in the hope that I could start this post some sort of semi-intelligent sounding blurb. Anyhow the structure is called a turret and suffice it to say that we haven’t encountered too many of them on our travels before. As we approached Kavanagh’s we wondered whether the interior of the pub would live up to the expectation set by the striking exterior and in the author’s opinion it most certainly did.

Alike many of the pubs we’ve been posting about lately –Kavanagh’s boasts bespoke wooden panelling. This partitions the bar into two main sections: a smaller snug area beyond the threshold and the larger bar en masse. The generous allocation of window space coupled with the large light speckled tiles (which some of the lads weren’t too fond of due to their resemblance to those in their secondary school) make the bar a far brighter space than the lounge.

The main talking point of the interior of the pub however was something which was as unique to the Dublin pub experience as the turret on the outside is. A colourful panoramic mural depicting a Spanish themed matador scene spans the considerably long wall space atop the bar. When enquiring about it we were reliably informed by the barwoman that it (painted by local art students years ago) is thought to depict the tale of an affair if read in one way but can been interpreted in different ways depending on how it’s read. She then went on to tell us how the aforementioned controversial floor tiles matched those in the local church too.

We propped up against the bar in the larger section of the room and found ourselves on the receiving end of three creamy pints. The bar was empty enough but we enjoyed a bit of neighbourly rivalry between a few of the locals one being an Englishman who was taking a bit of a slagging upon a Scottish equalizer in the ongoing world cup qualifier. Top pub, we’d return in an instant.

Sitting on the intersection of Marlborough and Abbey Street, a stone’s throw away from the famed abbey theatre sits a pub named The Flowing Tide. The pub occupies a space upon a bustling streetscape between the wider city centre and umpteen bus termini leaving it to act as a conduit to the tide of commuters, shoppers and addicts going about their daily routines.

In all of the years and years I spent passing by this pub on my way to and from town I had never set foot in it until relatively recently. The reason for this is one I never quite figured out. It may have been some sort of subconscious allegiance to the nearby Sean O Casey’s – which was my father’s town local. Whatever the reason, a precedence had been set and I was to spend years ignoring The Flowing Tide, and what a silly ignorance that was.

When we first set out to check out The Flowing Tide we all had our reservations, the local ne’er-do-wells that tend to frequent Abbey St led us to believe that this pub would be one that continued the theme from outside within the pub. How utterly wrong we were. First of all the lighting. Other pubs take note – the lighting here is the optimum amount of light one should strive to illuminate their bar with. Bright enough to read the paper and dim enough to mask the quarter pint of porter you’ve spilled down your front in excitement.

The overall appearance of the pub is kind to the eyes. The exposed brickwork toward the end of the bar tallies well with the wooden floors and the cream walls elsewhere. Celtic knot work adorns spots across the walls and serves to break the mundanity of the cream hue nicely. The stained glass windows aafford the pub a more spiritual edge while pictures across the walls are varied and encompass plenty of nods to the abbey scattered throughout.

The pint we’ve always found to be of a high standard and have yet to have a bad one. There’s toasties made with batch bread on the go too if you’re so inclined.

Overall The Flowing Tide is a diamond in the rough. A characterful boozer pouring good pints and only a stone’s throw from the bus stop. Why would you wait for a bus anywhere else.

When we arrived to Walsh’s we were at the tail end of a crawl and were merry enough from the pints. Being a weekend evening, the bar was busy enough. The sun was low in the sky and beamed in through the windows intensifying the iridescence of the golden liquors bottled behind the bar. We made for the back of the bar and cosied in to a section to savour the last moments before the deluge of pints began to take a more incapacitating hold.

The pub itself is pristine. Dark panelled wood along the bottom of the walls is balanced nicely with a beige tone on the upper half. There’s a tasty little snug just beyond the threshold which sits before the start of the bar.

The décor is standard. Various team photos accompany old cigarette, beer and whiskey ads along the wall, the further side of the bar houses a US mail letter box for reasons unbeknownst to us. This side of the bar also boasts a toasty looking fireplace which certainly warrants a subsequent winter visit as far as I’m concerned.

The pint was of a high standard and the staff were attentive and competent overall. And although we’d an enjoyable couple of scoops there during our stay, I couldn’t help but think to myself that I’d appreciate a pub like this more so during the colder parts of the year. Nonetheless we’d certainly give Walsh’s the DBP thumbs up and personally I’m looking forward to dropping in again… with a bit of a clearer head.

We were fairly taken with the whole pintman thing when it took off on the net earlier during the year. It shone a light on a culture we’d been in the middle of for years. It had it all: pints, pubs, and more pints, what more could one ask for.

Unfortunately brand pintman slowly but surely became a victim of its own success and the author finds nowadays that your average facebook “pintman” is a techy seventeen year old who can barely hold a few bottles of smirnoff ice in some midland English wetherspoons, let alone keep a feed of stout down in a Dublin boozer.

Let it not be said that we’re sad that it’s over be rather we’re happy that it happenedand and just as Rick and Ilsa will always have Paris – We’ll always have Hynes, Paddy.

Hyne’s, became somewhat of an overnight drinking mecca due to the popularity of the aforementioned pintman craze. Said to be the main man Paddy Losty’s local the pub is now enshrined in landscape of famous Dublin boozers. Of course we had to go and have a look.

Entering the bar on a sunny afternoon we sat at the end of the bar and were greeted by the barman who took our order and asked us if we wanted the use of the telly. He put on the match for us and returned us a few top-notch pints.

The long bar boasts a fair amount of exposed red brick which the majority of us agreed was pleasing to eye. Our table was a repurposed singer sewing table which was a taking point also. The place was nicely lit given that the sun was beaming from the door straight through the length of the bar. One of the lads reckoned it was a bit spiritual “like newgrange and tha” but that was probably just the pints kicking in.

The locals were good craic and Paddy’s legacy was well protected with the amount of pints been put away by some of them. All in all Hyne’s is a solid shop. Great pint, great staff and sound locals. Well worth a look.

Recently we were pinting of a weekend in Stoneybatter and took in Hanlon’s (amongst others). We arrived mid-afternoon, still a touch tender from the previous night’s shenanigans.

We settled in the bar which ticked all the proverbial aesthetic boxes – it being sectioned by dark woodwork which contrasted well with a lighter mosaic tiling underfoot. Panoramic windows left older patron’s eyes unstrained in the reading of their papers as they propped up against a bar which runs along the space in harmony with the shape of building. Sitting at this bar one could gaze in appreciation of an antique register behind it; whilst another could look beyond it and muse over a clay head that was either a toddler’s art homework or a medical study of the woes of elephantiasis.

The pint was grand; drinkable and well under a fiver. We ordered a cordial at no charge too which deserves an honourable mention. The locals were of good character, I’d a bit of an earwig on a few lads debating over what year Dublin Bus introduced power steering and it was like listening to some sort of unearthed Sean O Casey text.

About halfway through our jars, an elder local who happened to be garbed entirely in golfing gear arrived and duly ordered a pint. Having settled beside us we noticed that he was scoping us out a bit. Upon a lull in our chat he sensed his opening and interjected by thrusting a finger toward one our pints and merrily asked “What’s that..?” A bit taken aback one of us responded “That’s a lovely big pint is what that is”. Unsatisfied with our answer he replied asking “Dyis wanna know what that is?” “G’wan” we answered. He paused before finally answering “That’s a cappuccino!” he proudly exclaimed. “A cappuccino, that what that is” he suffixed in the midst of our bemused laughter.

He went on to regale us with tales of his golfing career to date all while ignoring the seven or so questions we asked about how his game had went that day. As we polished the dregs of our jars and made for the exit the encounter was made all the more strange as our golfing buddy requested one of the lads to sit on his lap. He politely declined.

It was one of them poxy November evenings where the depression onset from daylight savings’ early darkness had begun to set in. The rain was pissing out of the heavens and train was rammed. A pint was in order. As I drew closer to town I fumbled amongst the crush to retrieve my phone and made a call to Pintman №2, inquiring after the progress he himself was making into town. “Still in poxy work!” says he. “Bollix to that” says I.” Grab a spot somewhere and I’ll follow ya in sure” says he. “Grand” says I.

So after disembarking I wander up Westland Row and head toward the Grafton St. area. A quick bit of sustenance and I’m on the look out for a pub only to make the unfortunate realisation that everywhere is jammed with the only thing worse than the Christmas party crowd: The early Christmas party crowd. All of them carefully gowned in their illuminated woolly jumpers and fluffy red hats.

In the midst of my frantic dash around the South City Centre trying to find any boozer with a spare spot and a lingering degree of cosiness, I find myself pushing ever so further out of the city. And then as I wander around by the back of the College of Surgeons, it comes to me. The Swan! Of course! Up to the swan I hastily traipse to find the place reasonable populated and with enough spare seats to lighten my mood. No sooner have I placed my sopping coat on a high stool do I have a good pint of plain in my hand and all is okay once again.

The Swan as it turned out was the best possible pub to arrive into from a rainy November night. Another Victorian gem with all the furniture and fixings one should expect from a Victorian spot. A marble bar runs the length and is nicely complimented by the mosaic tiling on the floor. Another essential visit for seekers of authentic historic Dublin Pubs.

Content again I make another phonecall to Pintman №2 who is less than impressed having found himself on a stationary train. “Why is it stuck?” says I. “There’s a swan on the tracks at Landsdowne” says he. “Jaysis” says I. “Where did ye settle in the end” says he. “The Swan” says I. “Fuck off” says he.